Tom Otterness (b.1952-)  Virgo, 1982  Zodiac Love Series  Painted Plaster  7.25h x 6w x 3.5d inches  Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
Side Markings:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
Detail Back:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
Detail Front:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race. Available at Manolis Projects Gallery
Virgo, 1982
Virgo, 1982
  • Load image into Gallery viewer, Tom Otterness (b.1952-)  Virgo, 1982  Zodiac Love Series  Painted Plaster  7.25h x 6w x 3.5d inches  Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Side Markings:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Detail Back:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race.Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Detail Front:Tom Otterness (b.1952-) Virgo, 1982 Zodiac Love Series Painted Plaster 7.25h x 6w x 3.5d inches Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race. Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Virgo, 1982
  • Load image into Gallery viewer, Virgo, 1982

Virgo, 1982

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Tom Otterness
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Tom Otterness (b.1952-)
Virgo, 1982
Zodiac Love Series
Painted Plaster
7.25h x 6w x 3.5d inches

Otterness is described as “the world’s best public sculptor” by New York Times art critic, Ken Johnson, Otterness' works are easily recognizable for its unique, cheerful and cartoonish figures, that are used to address issues of gender, class and race. 

Otterness is represented by many important contemporary art galleries, and was elected a member of the National Academy in 1994. His works are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others.