Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. This is a striking print on paper in yellow, black, and white. at Manolis Projects Gallery
Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. This is a striking print on paper in yellow, black, and white. at Manolis Projects Gallery
Detail of Frame:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery
Signature:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery
Detail:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. This is a striking print on paper in yellow, black, and white. at Manolis Projects Gallery
  • Load image into Gallery viewer, Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. This is a striking print on paper in yellow, black, and white. at Manolis Projects Gallery
  • Load image into Gallery viewer, Detail of Frame:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Signature:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery
  • Load image into Gallery viewer, Detail:Richard Mock (1944-2006) Unique Signed Proof, 1985 Linocut print on paper 35.25 x 42.75 inches- unframed Sold Framed Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. Available at Manolis Projects Gallery

Unique Signed Proof, 1985

Richard Mock
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Richard Mock (1944-2006)
Unique Signed Proof, 1985
Linocut print on paper
35.25 x 42.75 inches- unframed

Hand signed and numbered by artist. 

Richard Mock was a lifelong painter whose work ranged from a cartoonish, politically charged Neo-Expressionism through portraiture and self-portraiture to bright, paint-laden abstractions. He was best known for the satiric linocut illustrations on social and political issues that appeared on the Op-Ed page of The New York Times from 1980 to 1996, in other New York-based newspapers and in worldwide publications.

This is a striking print on paper in yellow, black, and white.

Mock's linoleum prints reflected the influence of the German Expressionist Max Beckmann (1884-1950) and the Mexican printmaker José Guadalupe Posada (1852-1913).

 

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